A television program on arte.tv features a documentary about Marina Vlady, an actress who died on September 24. The program also highlights two of her most famous films, La Princesse de Clèves, directed by Jean Delannoy, and Deux ou trois choses que je sais d'elle, directed by Jean-Luc Godard. These films are considered important works in French cinema, showcasing Vlady's versatility as an actress. Additionally, the program includes Ménopause, le corps en transition, a Danish documentary on menopause, and L’Irréparable – 1995, the Vel d’Hiv speech, a documentary on the 1942 roundup, scheduled to air on LCP on Friday, October 2, at 9:05 PM. The latter documentary focuses on a significant historical event in France during World War II. Other programming includes Renaud, 50 ans de chansons, a concert at the Zénith of Paris, set to air on France 4 on Wednesday, October 7, at 9 PM. Thélyson Orélien, a Haitian-origin Quebec writer, is accused of having written his first novel, C’était ça ou mourir (Grasset), with the help of artificial intelligence, according to an anonymous account on the social network X, which claims to have used the Pangram detection tool, considered reliable. Orélien, whose book has been translated worldwide, was unanimously praised but rejects these accusations. However, the simultaneous revelation of various plagiarisms in his previous writings weakens his defense. The Goncourt Prize jury, which had shortlisted him, has removed him from its list. Despite this, C’était ça ou mourir has achieved commercial success, with more than 18,000 physical copies sold between September 21 and 27, a significant increase compared to the previous week. The book tops the fiction sales according to the Livres Hebdo ranking. The controversy surrounding Orélien's work has sparked discussions about the use of artificial intelligence in creative writing and the challenges of verifying originality in literature. While the allegations against him have not been officially confirmed, they have raised questions about the reliability of content creation tools and the responsibilities of authors in ensuring their work is original. Meanwhile, the success of C’était ça ou mourir highlights the complex relationship between public perception, literary acclaim, and commercial performance. The situation also brings attention to the broader issue of plagiarism in the literary world, with Orélien's past works coming under scrutiny. This has led to calls for greater transparency and accountability in the publishing industry. As the debate continues, the literary community remains divided on the implications of these allegations for both the author and the future of creative writing.