François Betz’s novel Le Joli Moi de Mai delves into the events of May 1968 in France through a fictional story, drawing parallels between that transformative historical period and today’s social and political issues. Initially, Betz envisioned the project as a television series, but after realizing that the visual and comedic aspects of the concept might not translate well to the written word, he decided to rewrite it as a novel. The story centers on Theo, a young man whose personal journey—searching for his friend’s father—intersects with the broader events of the 1968 revolution, blending individual experience with political upheaval. Betz acknowledges the difficulty in finding comprehensive and accurate information about May 1968, noting that online sources often contain contradictions and misinformation. He emphasizes the continued relevance of this period, particularly in understanding current social and political dynamics. The novel includes rich period-specific details, such as the use of mechanical telephones, rooms filled with tobacco smoke, and references to the cultural jargon of the time, helping to immerse readers in the 1960s atmosphere. Betz also credits his earlier work, PUNK•T, which examined the history of the French magazine Le Point, as an influence on his approach to historical storytelling. He aims to present a nuanced and layered view of the past, one that resonates with modern audiences. Le Joli Moi de Mai is set to be published in October, offering readers a fresh perspective on a pivotal moment in French history. In recent weeks, the literary and arts world has mourned the loss of several notable figures. Among them are French novelist Janine Boissard, Scottish author Peter May, and American illustrator Joshua Cassara. Their contributions to literature and the arts have left a lasting impact, and their passing marks a significant moment for their respective fields.