Poet Maud Thiria has released her latest book, Langue torse, published by LansKine editions. In this work, she explores the idea of a "twisted language" as a form of resistance against what she calls a "straight" language. This straight language, she argues, reflects societal and familial expectations, especially those placed on women, and is tied to patriarchal systems. Thiria contrasts this with "torse language," which she sees as a way to break free from these constraints and discover new modes of expression, including through "other laws" that question existing norms. Thiria draws on the myth of Philomèle from Ovid's Metamorphoses, a tale about a woman who is raped, mutilated, and silenced by her brother-in-law. She reinterprets the story as one of resistance and transformation, suggesting that the act of twisting language can be a path to liberation. She also references the biblical creation myth, questioning the need for Adam and the idea of punishment. She proposes an alternative narrative in which language is free from such constraints. The language in Langue torse is described as dynamic and experimental, using rhythm, sound, and form to explore the boundaries of meaning and nonsense. Thiria emphasizes the physicality of language, connecting it to the body, natural elements, and tactile experiences. She explains how her personal experiences with silence, violence, and blindness have shaped her work, leading her to explore alternative forms of expression such as painting and textile art. Thiria also highlights the political nature of her poetry, seeing it as a form of resistance against oppressive power structures in both language and society. She has worked to support the voices of Afghan women during the rise of the Taliban and continues to engage in educational and prison settings. She views her poetry as a way to challenge expectations and assert autonomy, both as a woman and as an artist.