Toward the end of Girl Group, a lighthearted, over-the-top film that draws heavily from the style of Pitch Perfect and the mentor-driven narrative of Bad News Bears, the movie shifts into a long series of pop music performances. These sequences, meant to showcase the characters’ talents and camaraderie, instead stretch on far too long, creating a sense of fatigue for the viewer. The film follows a group of young women as they navigate the challenges of forming a girl group, balancing personal ambitions with the demands of their shared dream. While the early parts of the movie are filled with humor and charm, the final act leans heavily on musical numbers that feel more like a checklist of tropes than a natural progression of the story. As the performances continue, the film begins to resemble the over-the-top finale of a different kind of pop spectacle—perhaps a music video or a reality show—where the focus shifts from character development to spectacle. This shift can feel jarring, especially for viewers who were drawn to the film’s earlier, more grounded moments. Despite its flaws, Girl Group remains an entertaining, if somewhat formulaic, take on the musical comedy genre. It offers a fun, if occasionally exhausting, ride through the ups and downs of friendship, ambition, and the pursuit of fame.