The Noughties indie music scene, which peaked in the early 2000s, is often remembered for its energetic, rebellious spirit and distinctive fashion. Bands like Franz Ferdinand and Bloc Party became central to the movement, which celebrated creativity and individuality. However, the image of the indie musician was largely shaped by men—often depicted as four young men with bold hairstyles and a carefree, defiant attitude. Dominic Masters of the band The Others noted that the scene was predominantly made up of white, Anglo-Saxon, Protestant males, reinforcing a narrow cultural perspective. Behind the scenes, the music industry that supported the indie scene was also male-dominated. Roles like A&R (artist and repertoire) personnel, managers, and producers were mostly held by men, with only a few exceptions. Women in these positions often faced skepticism, with their abilities questioned and their presence in a male-dominated environment often seen as unusual. Banny Poostchi, who managed The Libertines, was one of the few women in these roles during the time. Women who were part of the indie scene, such as Erica MacArthur of White Rose Movement, described how sexism was normalized and often ignored. They faced challenges like being told they were only in the music industry to be around men or being sent on press trips with male colleagues, based on assumptions about their capabilities. Charlotte Cooper of The Subways said she appreciated being part of the scene but didn't fully grasp the difficulties of being a woman in music at the time. Similarly, Kate Jackson of The Long Blondes expressed surprise at how challenging it was to be a woman in the industry, despite her public visibility. Some male musicians acknowledged the male-centric nature of the scene and the challenges faced by women. Alex Kapranos of Franz Ferdinand and Gordon Moakes of Bloc Party recognized the gender imbalances in the industry. Despite these challenges, women like The Pipettes and Karen O of Yeah Yeah Yeahs made notable contributions to the scene. However, as the Noughties era is revisited through anniversary tours and classic album shows, the male-dominated narrative often overshadows the contributions of women. While some women have continued in music, others have moved on to different careers. The legacy of the Noughties indie scene, with its gender imbalances and the challenges faced by women, continues to be examined and discussed today.