In 1892, during the Exposition des arts de la femme in Paris, caricaturist Ferdinand Bac imagined a radically different kind of "end of the world." Rather than scenes of environmental disaster—like burning forests or melting ice caps—his vision depicted a woman in a strikingly unconventional outfit: wearing a tie, holding a cigarette in one hand and a top hat in the other, with a monocle on her left eye. This image, drawn on the margins of the exhibition, reflected a growing challenge to traditional gender roles through fashion. Today, the Palais Galliera in Paris is hosting an exhibition that explores how women’s clothing in the 19th century began to adopt elements traditionally associated with men. This shift, often called the "masculinization" of women’s fashion, is being presented as a form of resistance to societal expectations. The exhibition highlights how clothing can be a powerful tool for expressing identity and challenging norms, particularly for women who sought greater independence and freedom. The show focuses on how women, from the Amazon to the cyclist, used fashion to assert their autonomy. The Amazon, a figure from Greek mythology often depicted as a warrior woman, and the cyclist, a symbol of modernity and mobility in the late 19th century, both represent women breaking away from traditional roles. The exhibition showcases how these figures influenced the way women dressed, often choosing more practical and less restrictive styles. This exploration of material culture and gender is not only historical but also very political. It raises questions about how clothing can be used to "disturb gender" norms and how such challenges have been met by society. As climate change continues to shape our world, the exhibition reminds us that the "end of the world" can take many forms—some environmental, others cultural and deeply personal.