Jewelry designer blends Japanese and French styles

Miho Nakatani, a Japanese jewelry designer based in Strasbourg, France, combines traditional Japanese techniques with French haute joaillerie, creating unique pieces that reflect both cultures. Her atelier, located at 38 rue du Jeu des Enfants, offers custom jewelry and hosts workshops for those interested in learning her craft.

Her atelier showcases diverse designs

The atelier displays a range of items, including hairpins, earrings, and small knives used in Japanese pastry-making. Nakatani’s designs often feature natural motifs, such as floral patterns that symbolize the "permanent blossoming of our charms," blending Japanese symbolism with Western aesthetics.

Nakatani’s journey to France

Nakatani moved to France in 2005 for personal reasons and later settled in Alsace about a decade ago. Initially, she faced challenges integrating into French society due to language barriers and limited social connections. However, her prior experience working in a traditional Japanese jewelry atelier helped her establish a career in France.

Influence of Japanese and French techniques

She learned traditional Japanese metalwork techniques and later worked with French master jeweler Philippe Nicolas, known for creating jewelry for Cartier. Nakatani notes that while craftsmanship standards are similar in both countries, the artistic approaches differ: France emphasizes volume and individuality, while Japan focuses on subtlety and detail.

Challenges and creative methods

Nakatani’s work involves patination techniques using metal alloys and chemical treatments to achieve desired colors, a process that can be difficult to control. She also uses engraving and carving techniques learned in Japan, aiming to create personalized jewelry that reflects the unique charm of each client.

Upcoming exhibition and personal connections

Nakatani is preparing for the Salon Résonance in Strasbourg, scheduled from November 6 to 9, 2026, where she will showcase new pieces. She continues to explore the use of patina and stones in her work. She appreciates the natural beauty and friendly people of Alsace, drawing parallels to her hometown of Kyoto, and enjoys walking and exploring the region’s landscapes, including vineyard routes and mountains.