François Gremaud, a stage director known for his work on the performance Mon frère, acts as an interpreter from sign language to spoken French for his brother Christian, who is hearing-impaired. The play, which will be performed starting September 18 at the Théâtre du Rond-Point in Paris and will then tour, uses humor to challenge stereotypes and reduce stigma around disability. The performance also raises questions about how language functions as a system of signs, where words are connected through specific grammatical rules. In the play, a character named Frédéric Bossier, who cannot speak, communicates with his hearing-impaired students in sign language, highlighting a scenario where a philosophy teacher grapples with the issue of disability in education. Cédric Enjalbert presents this play in a new issue of a publication available at local newsstands. The performance is part of a broader conversation about accessibility and the ways in which society perceives and interacts with people who have different abilities. The Egyptian coup of July 3 and the subsequent crackdown on the Muslim Brotherhood have sparked a wide range of reactions, reflecting a deeper conflict over legitimacy. This conflict involves the tension between democratic processes, such as voting, and the power of the street, as well as the authority of those in charge of maintaining order. These events have highlighted the struggle over who gets to define the rules of governance and how those rules are enforced. In the animated film Azur and Asmar by Michel Ocelot, two foster brothers separated by their father’s figure overcome their rivalry by facing the same challenges together. The film explores the relationship between the self and the other, a theme also addressed by the Dardenne brothers in their films, which draw on the philosophy of Emmanuel Levinas. The Dardenne brothers were recently interviewed in connection with the theatrical release of The Silence of Lorna. In A Serious Man, the Coen brothers reinterpret the biblical story of Job, who loses everything but remains faithful to God. Marc de Launay, a philosopher and film enthusiast, analyzes the ethical meaning of this story, focusing on themes such as breaking free from cycles of evil, maintaining self-respect despite personal failures, and finding a way to recover after reaching rock bottom.