Rosalía, the Spanish singer known for her unique blend of flamenco and pop music, adopted a look from the Dior spring-summer 2027 fashion show shortly after attending the event. On Tuesday, September 29, she was invited to see the collection designed by Jonathan Anderson, and within hours, she was seen wearing silhouette number 4, as if she had just stepped off the runway. Rosalía has long been known for her distinctive style, which combines urban elements with delicate, youthful, and ultra-feminine touches. Her aesthetic, often described as cutecore, draws inspiration from both pop culture and dance, creating a look that is intentionally romantic and whimsical. The fashion show took place in Paris, where Rosalía is also accompanying her partner, model Loli Bahia, who is currently walking the runways during Fashion Week. At Dior, Rosalía continued her signature approach, choosing a look that aligned with the collection's theme. Jonathan Anderson, the creative director of Dior, designed a collection featuring 65 silhouettes presented around the basin of the Tuileries Garden. This setting, which evoked a nearly bucolic atmosphere, contrasted with the collection's emphasis on lightness and modern sensibilities, while still honoring the house's historical references. Rosalía selected the fourth silhouette, a design centered around the petal motif. It featured a white pleated skirt and a powder pink jacket worn directly on the skin, revealing her stomach. The outfit was completed by a cascade of white petals forming a corolla around her body, blending clothing with the idea of a couture bouquet. For her makeup, Rosalía chose a ballerina bun and a nude look, extending the theme of ballet that was present throughout the collection. Her appearance reflected a focus on grace, romanticism, and a form of assumed innocence, offering a contrast to the current trend of sporty or casual fashion. Rosalía’s choice of this look went beyond simply adopting a silhouette from the show. She extended its narrative, from the gardens of the Tuileries to the streets of Paris, adding her own signature: a theatrical femininity that is both free and deeply aware of its time. Her style, rooted in a tender and romantic palette, seems less like an escape from reality and more like a deliberate assertion of the right to beauty in a modern context.