In Paolo Strippoli's new horror film The Spiral, the Devil is portrayed in a strikingly fashionable way. Rather than the traditional, ominous depiction, this version of the Devil is dressed in a sharply tailored camel-colored trench coat, with neatly styled hair, perfectly applied red lipstick, and is seen holding a cigarette. This aesthetic choice gives the character a sophisticated, almost glamorous appearance, which contrasts with the usual dark and menacing imagery often associated with the Devil in popular culture. The film uses this stylish portrayal to create a sense of allure and danger, making the Devil's presence both captivating and unsettling. Strippoli's approach suggests that evil can be seductive, wrapped in the trappings of high fashion and refined behavior. This interpretation adds a layer of psychological complexity to the character, inviting viewers to question the nature of temptation and the fine line between charm and corruption. While the film's visual style is a notable aspect, it also raises questions about the authenticity of the Devil's wardrobe. Although the Devil is seen wearing a camel trench coat, the film does not provide a clear enough shot to confirm if the coat is from the luxury brand Prada. This ambiguity adds a touch of humor and intrigue, as audiences are left to speculate about the Devil's fashion choices and the extent to which style influences power and perception in the narrative. Overall, The Spiral challenges traditional horror tropes by blending the sinister with the stylish. Strippoli’s film invites viewers to reconsider how evil can be presented in unexpected and visually compelling ways, using fashion as a tool to enhance the story's themes and atmosphere.