Ermanno Scervino, an Italian fashion designer, highlighted the value of craftsmanship in luxury fashion, stating that all items bearing his name are "entirely and proudly Made in Italy." His spring-summer 2027 collection showcased intricate details, such as perforated suede jackets and trousers embroidered with organza ribbons in a style reminiscent of lingerie. Hand-patined nappa tailcoats, as light as shirts, required months of meticulous work to achieve their softness and shine. Woven linen corset jackets were decorated with refined trimmings developed in collaboration with a specialist in threads, resulting in braided ribbons made from gold or copper metallic threads, as well as satin thread galons worked in loops. A standout piece was the brown babydoll dress and matching set, crafted from pleated silk mousseline and embroidered lace with a denim print that created a cloudy effect rather than the rigidity of a solid color. Scervino designed the lace himself, ensuring its patterns mirrored the contours of hibiscus and palm leaves found in the prints. Feather embellishments were hand-sewn to achieve a three-dimensional effect of palm leaves. Palms appeared as embellishments on denim, printed on organza, and integrated into cashmere knits decorated with cotton cutouts, evoking the exotic travels the designer imagined as a child. Scervino understands the needs of modern women, such as a custom-knitted suit made from Lisle yarn and cotton crepe, but he also celebrates the girl they once were. He noted that Ermanno Scervino women wear boas made from 16 meters of mousseline, but they hold them in their hands; they do not behave like showgirls. There is always an irreverent and playful element in their aesthetic. Inspired by the spirit of London as he knew it through icons like Twiggy and David Bowie in his youth, Scervino placed balloon miniskirts at the heart of the collection's narrative. These skirts, made from duchesse satin, crocodile imitation, or pleated organza with a wavy texture, were designed to be worn with men's tuxedo shirts, featuring an integrated corset meant to remain visible. In the accessories, from shoes to bags, raffia created an impression of continuity: crocheted or woven and enhanced with leather, it was available in a gold laminated finish or in the same color palette as the clothing, ranging from shades of blue to sand, through chalk white, pink and red, reaching chocolate brown and black. The jewelry took the form of shells and grenades, adding a touch of fantasy that Ermanno Scervino never renounces.