Reissue of Païta's recordings and book

The Palais des Dégustateurs has released new recordings and concert performances by Carlos Païta, an Argentine conductor known for his dedication to major symphonic works. The organization has also published a book in his honor, continuing its efforts to preserve and promote his legacy.

Publisher's previous work and award

The publisher previously released testimonies from Païta's concerts and studio recordings, reproducing works originally published under the labels Decca and Lodia. These efforts earned the Palais des Dégustateurs a Special ICMA Award in 2026.

Book's title and content

The book, titled in the din of a full sound of horror, seeks to describe the "musical physiognomy" of Païta. However, it is noted for lacking a detailed biography of the conductor, focusing more on personal opinions and philosophical reflections on music and sound.

Author's views and criticisms

The author of the book expresses personal views, such as a rejection of baroque composers and Herbert von Karajan's aesthetic. One quoted reflection discusses the nature of sound and memory. Despite admiration for Païta, the book is said to rely heavily on an interview with his son and offers limited insight into the conductor's art and personality.

Critics note imperfections

Upcoming recordings from the Palais des Dégustateurs are expected to include previously unreleased material. However, critics like André Hirt have pointed out imperfections in Païta's performances, such as an orchestra "almost drunk" in Mahler's Symphonies No. 2 and No. 3.

Personal memory and book's shortcomings

A personal memory of a Parisian concert where Païta conducted Prelude and Death of Isolde and Bruckner's Eighth Symphony is described as a memorable experience. However, this moment is said to be only partially captured in the book, highlighting its shortcomings in fully reviving such experiences.