In her book Le fabuleux piano, France Inter journalist Sonia Devillers explores the lesser-known aspects of how Nazi Germany targeted music during World War II. The book delves into the systematic efforts by the German regime to confiscate sheet music and musical instruments, often seizing them from Jewish musicians and institutions. These actions were part of a broader policy to exclude Jews from cultural life and suppress expressions of identity that did not align with Nazi ideology. Devillers' work highlights how music was not only a form of artistic expression but also a means of resistance and survival for many during the war. She examines how Jewish musicians, despite the restrictions placed upon them, found ways to continue performing and preserving their heritage in secret. In some cases, they used music as a tool for resilience, creating a sense of normalcy and community in the face of persecution. The book also sheds light on the complex relationships between music and power, illustrating how the Nazis sought to control cultural production as a means of reinforcing their political dominance. By banning Jewish composers and musicians from public life, they aimed to erase a vital part of European cultural history. Devillers' research reveals the extent to which music was both a target of oppression and a symbol of defiance. Le fabuleux piano serves as both a historical account and a tribute to the enduring power of music. Through her detailed analysis, Devillers brings to light the stories of those who fought to keep music alive during one of the darkest periods in history, emphasizing its role as a unifying force in times of crisis.