An actress and filmmaker recently reflected on her evolving relationship with the French cultural magazine Les Inrocks. She described a recent reunion with the publication during the release of her television series Icon of French Cinema. This reunion, she said, marked a new beginning, with Les Inrocks stepping into the role once held by the "Author," a figure that had influenced her earlier years. The meeting took place in a café near the République metro station, where she spoke with Jean-Marc Lalanne and Olivier Joyard about the writing and directing of her series. This interview helped mend some past tensions, occurring just before she delivered a speech at the César Awards, France’s top film honors. The series Icon of French Cinema reflects on a specific period in her life and pays tribute to filmmakers who were admired by Les Inrocks, particularly one individual. She recalled a deep conversation with the magazine's editors, focusing on the words featured in the newspaper's pages, especially those of BJ, a writer known for his emphasis on violence. The magazine's approach to this subject was marked by a sense of glamour that she found deeply moving. Unlike before, the shadow of the "Author" did not loom over them, and instead, a fresh, gentle breeze seemed to be blowing—a symbol of change and renewal. During her time with Les Inrocks, she discovered the musical group Mary in the Junkyard, whose sound she described as dreamlike and emotionally grounded without pretension. Sara Barbaglia, the actress and filmmaker, emphasized the importance of tactile and artisanal art in today’s media landscape. "Having works of art that can be touched and connected to is essential, especially in an era where many things aim to be cold, minimalist, and stripped down," she said. She also mentioned that she would put Séphora Pondi, a French artist and activist, on the cover of Les Inrocks. To celebrate its 40th anniversary, Les Inrocks released a special issue featuring over 250 testimonies from artists and actors who shared their memories of the Inrockuptibles, the magazine's annual music festival. This issue serves as both a tribute to the magazine's legacy and a celebration of the cultural figures who have shaped its identity over the decades.