On September 11, 2001, a journalist from the Associated Press was sent to the site of the World Trade Center in New York City, where the twin towers had been struck by hijacked airplanes. Among the many images captured that day, one became particularly iconic: a photograph showing a man falling from one of the towers. This image, now widely recognized in photojournalism, was taken moments before the tower collapsed. However, it was quickly censored by media outlets, as many felt it was too distressing for the public to view during the immediate aftermath of the attacks. The image of the falling man became a symbol of the tragedy, capturing the horror and chaos of that day. It sparked debates about the role of media in showing graphic images during times of crisis. While some argued that such images were essential for documenting history, others believed they could cause unnecessary distress to the public, especially those directly affected by the attacks. In his new book, The Man Who Falls, French journalist and photographer Philippe Lecaplain delves into the story behind this powerful image. He pieces together the circumstances surrounding its creation, including the identity of the man in the photograph and the experiences of those who witnessed the event. Lecaplain’s work offers a compelling look at the broader context of the September 11 attacks through the lens of a single, unforgettable photograph. The book not only recounts the events of that day but also explores the emotional and ethical implications of the image. Lecaplain’s narrative brings to light the human stories behind the tragedy, reminding readers of the personal impact of historical events. Through meticulous research and storytelling, The Man Who Falls provides a deeper understanding of one of the most iconic and controversial images of the 21st century.