Limited rehearsal time noted
A performance of Le Nozze di Figaro took place with limited rehearsal time, which raised concerns about the staging and balance needed for the opera's two complex finales. Some singers performed from memory while others used sheet music or tablets, leading to minor misalignments and small errors during the performance.Some arias omitted
Certain arias, including those of Marceline and Don Basilio, were omitted, as is common in some productions. Despite these omissions and the performance issues, the overall impression was positive, with the audience clearly engaged and enjoying the show.Cast performances varied
Lauranne Oliva as Suzanne was musical but had some projection issues in ensembles. Adrien Fournaison portrayed Figaro with a rich timbre and youthful charm, though his Italian diction could be improved. Huw Montague Rendall played Count Almaviva with a warm, well-projected voice and strong stage presence.Strong performances from other cast members
Elbenita Kajtazi delivered a Countess performance marked by finesse and melancholy, handling the high C in the second act trio with ease. Eva Zaïcik performed Cherubino with adolescent energy and delicate ornaments. Diana Montague, as Marceline, and other roles were also well-received.Conductor and orchestra praised
Conductor Sasha Scolnik-Brower was noted for his calm and imaginative approach, showcasing his mastery in leading the two famous finales and highlighting the orchestra's intermediate parts. The B'Rock Orchestra, led by first violinist Evgeny Sviridov, contributed to the performance with their usual investment and enthusiasm.Orchestral highlights
The orchestra maintained a cohesive ensemble despite being restricted to twelve violins. They highlighted the delicate sounds of old woodwinds, with the continuo and pianoforte adding appropriate commentary to instrumental passages.
