The mosaics on the façade of the Basilica of Notre-Dame du Rosaire in Lourdes, France, have been temporarily covered with wooden panels ahead of the Pope's upcoming visit. These mosaics, created by the Jesuit artist Marko Rupnik, are among the largest in the world, spanning 2,000 square meters. They feature vivid imagery such as a lush palm tree, shimmering waves, and a depiction of Christ in majesty. However, the mosaics will remain hidden behind the panels during the Pope's visit on September 26 and 27, as the Church seeks to address the controversy surrounding their creator. Marko Rupnik, a well-known figure in the Catholic Church for his religious art, has been accused of sexual violence. These allegations have sparked a significant internal debate within the Church regarding the future of his works. The wooden panels covering the mosaics are interpreted by some as a symbolic response to the scandal, reflecting the Church's uncertainty about how to handle the situation. The controversy has raised questions about the Church's relationship with art and its creators. While Rupnik's work has been praised for its beauty and spiritual depth, the allegations against him have cast a shadow over his legacy. Some members of the Church argue that the mosaics should remain on display, emphasizing their artistic and religious significance, while others believe they should be removed or altered to distance the Church from the accused artist. The decision on whether to keep or remove the mosaics is part of a broader discussion about accountability and the role of art in religious institutions. As the Pope prepares to visit Lourdes, the Church faces the challenge of balancing its commitment to its artistic heritage with the need to address the serious allegations against Rupnik. This situation highlights the complex interplay between faith, art, and moral responsibility within the Catholic Church.