French Deputy Paul Midy, representing the Essonne region, has raised concerns over the potential exploitation of cultural content by major American artificial intelligence companies like Anthropic and OpenAI. He is worried that these companies might use creative works—such as books, music, and films—in their AI systems without adequately compensating the original creators. This issue has sparked a debate about how to fairly compensate artists and content producers in the rapidly evolving AI landscape. Midy is drawing parallels between the current situation and past challenges faced by the music and film industries. In the early 2000s, illegal downloading threatened the livelihoods of musicians and filmmakers. In response, governments and industry leaders implemented legal measures, such as copyright protections and licensing agreements, to ensure creators were fairly compensated. Midy argues that similar legal frameworks should now be considered for AI technologies to prevent the unauthorized use of cultural content. The deputy emphasizes that creative content should not only be protected but also serve as a source of income for its authors. He believes that without proper legal safeguards, AI companies could continue to benefit from cultural works without giving back to the people who created them. This could undermine the financial sustainability of artists and content producers in the long run. As AI technology advances, the question of how to balance innovation with fair compensation for creators becomes increasingly urgent. Midy's call for legal action reflects a growing concern among policymakers and artists about the ethical and economic implications of AI's use of cultural content. His proposal aims to ensure that the digital age does not repeat the mistakes of the past, where creators were left behind in the rush for technological progress.