A controversial documentary on Elizabeth Holmes, the convicted fraudster, has become a box-office hit and Oscar contender, offering a gripping look at her life before prison.
Documentary focuses on Elizabeth Holmes
The documentary You Can See Everything, directed by Nathan Fielder and Lance Oppenheim, centers on Elizabeth Holmes, the convicted fraudster and former biotechnology entrepreneur known for founding Theranos.Film earns strong box-office performance
The film, which took three years to complete, has been a box-office success in the United States, earning $45 million in its first 13 days of release.French release planned for December 30
The documentary is set to debut in French cinemas on December 30, marking its international rollout after its U.S. success.Holmes prepares for prison sentence
The film follows Holmes, who was recently sentenced to 11 years in prison for fraud, as she prepares for incarceration. Holmes, who is not yet in prison due to having recently given birth, claims her innocence and refuses to tell even the smallest lie.Filming took place in Holmes' home
The documentary, which was initially intended to be a one-month project, follows Holmes and her husband, Billy Evans, as they are filmed extensively in their home for 34 days before her imprisonment.Footage captures personal and emotional moments
The film includes footage of Holmes, her baby, and her parents, capturing her emotional moments, including crying and laughing. Fielder, who is present in nearly every shot, attempts to determine whether Holmes is a manipulative genius or a naive person being exploited by others.Narrative turns after incarceration
The film's narrative takes an unexpected turn after Holmes is incarcerated, leading to a more engaging and addictive viewing experience.Documentary gains Oscar buzz
The documentary has generated significant buzz and is considered a strong contender for the Oscars. Its French release is seen as a gamble, but the film may benefit from the "Oscar" effect as the awards campaign begins.Compared to Michael Moore’s work
The film is described as a unique cinematic work, comparable to Michael Moore's Fahrenheit 9/11.