A new French film, directed by Alain Corneau, explores themes of isolation and betrayal, following the story of a police officer who becomes the victim of a dark scheme after the murder of his mistress. The film is Corneau’s second long feature and features Simone Signoret in a standout role as a paralytic upper-class woman whose love has been betrayed. The inspector, named Ferrot, lives alone and reclusive in a bare apartment. When his mistress is murdered, he is assigned to the investigation, and all the evidence points to him. Alain Corneau's personal style is described as cold, dry, and methodical, perfectly suited to the subject and the characters, who are often loners made inhumane by the lack of love. When emotion arises in the film, it is all the more powerful. Simone Signoret's portrayal of the paralytic upper-class woman, a betrayed lover and falsely indifferent to the world, is highlighted as unforgettable. In one scene, Signoret’s character says, "I think that God is immobile," which briefly transports the audience to another dimension. The line reflects the film’s deeper themes of emotional stasis and existential despair, adding a philosophical layer to the narrative. The film’s bleak tone and slow pacing are designed to immerse viewers in the emotional and psychological isolation of its characters. Corneau’s work is noted for its ability to create tension through silence and minimalism, drawing out the audience’s engagement with the internal lives of his characters. The film’s restrained approach contrasts with the intensity of the situations faced by the characters, making their emotional moments all the more impactful.