An article published on October 10, 2026, explores the role of transphobic and sexist humor in stand-up comedy, raising questions about the limits of free speech and the ethics of laughter. The piece argues that while comedy often thrives on pushing boundaries, some jokes—particularly those rooted in prejudice—fail to hold up over time and may contribute to harmful stereotypes. The article suggests that certain jokes, created through what it calls “writing laziness” and fueled by normalized discrimination, could be better removed from performance stages to foster more inclusive spaces for audiences. The article references Xavier Dupont de Ligonnès, a French man who disappeared in 2004 and became the subject of intense media speculation, though it does not clarify why he is mentioned. It also discusses transphobic jokes targeting Brigitte Macron, the wife of French President Emmanuel Macron, highlighting how such humor can reinforce biases without addressing the broader societal issues they represent. Additionally, the article notes that some comedians incorporate fake news into their routines without critically examining or challenging the misinformation they present. The article emphasizes the importance of accountability in comedy, suggesting that while humor can be a powerful tool for social commentary, it must be wielded responsibly. It calls for a reevaluation of jokes that rely on outdated or offensive tropes, urging comedians to consider the impact of their words on diverse audiences. The piece also reminds readers that comedy is not immune to the changing standards of society and that what is acceptable today may be seen as unacceptable in the future. The article is available only to subscribers of the publication, with subscription details provided at the end. It invites readers to reflect on the evolving nature of humor and its role in shaping public discourse, while also acknowledging the complexities of balancing artistic expression with social responsibility.