In his exhibition titled "la guerre de trop" ("The War That Was Too Much") at the Visa pour l'Image festival, Lebanese photojournalist Mohammad Yassine revisits his powerful coverage of the war in Lebanon, originally documented for the newspaper L'Orient-Le Jour. The Visa pour l'Image festival is an international event that showcases photojournalism and documentary photography, often highlighting conflicts and humanitarian crises around the world. Yassine's work provides a visceral look at the human cost of the ongoing conflict, capturing the emotions and experiences of those affected. The war, which began in early 2026, has had devastating consequences for Lebanon. Since March 2, over 2,000 people have lost their lives, and more than 7,000 have been injured in just seven weeks. These numbers represent a significant toll on the country's population, with one million people forced to leave their homes due to the violence. That number is nearly one in five of Lebanon's residents, highlighting the widespread impact of the conflict on the nation. Yassine's photographs serve as a visual record of the chaos and suffering that has unfolded in Lebanon. Through his lens, viewers can see the destruction of cities, the faces of those who have lost everything, and the resilience of a people enduring immense hardship. His exhibition not only documents the current crisis but also reflects on the broader implications of war on a society already grappling with political instability and economic challenges. The Visa pour l'Image festival provides a platform for such critical narratives, allowing journalists like Yassine to share their work with a global audience. By showcasing "la guerre de trop," the festival underscores the importance of photojournalism in raising awareness and fostering understanding of complex global issues. As Lebanon continues to face the aftermath of this conflict, Yassine's work serves as both a reminder of the human cost and a call for reflection and action.