Art exhibition opens on avenue des Champs-Élysées

This autumn, the change in time occurs a little earlier than usual on the 68 avenue des Champs-Élysées, where the Guerlain house has launched an exhibition titled L'Heure des possibles on October 21.

Exhibition theme focuses on uncertainty

Organized in conjunction with Art Basel Paris, the exhibition is free and open to the public. It brings together about thirty contemporary international artists to explore a suspended moment between what has been and what will be, highlighting uncertainty and the possibility of transformation.

Curators highlight poetry in uncertainty

Conceived by Hervé Mikaeloff and Benoît Baume, the exhibition frames "uncertainty as an interstice of poetry." It begins with childhood, depicted with delicate sensitivity by Japanese photographer Rinko Kawauchi, and moves through adolescence, explored in Rineke Dijkstra’s Beach Portraits and Adeline Care’s L'Attente, which shows a young man preparing to dive into the Mediterranean.

Artists challenge perception and reality

Several artists in the exhibition blur familiar references and challenge sensory experiences. SMITH transforms the horizon into a colorful abstraction, while Jack Pierson seems to shift the Earth’s center of gravity. Maria Appleton’s delicate weaving suggests the sky, creating hypnotic visual effects.

Exhibition emphasizes transformation and light

Nothing in the exhibition remains fixed. James Turrell, known for his mastery of light and color, continues his explorations here. Ann Veronica Janssens reimagines the changing light of Ostende on a glass plate, while Marguerite Bornhauser and Léa Dumayet use photography as sails, evoking movement toward the unknown.

Reflection on memory and future

The exhibition also considers the "After," the space between memory and possibility. Christian Boltanski’s installation of colored bulbs emitting a soft blue light invites reflection on time and change. The blue light evokes a dream that, at the hour of possibilities, keeps reinventing itself.