Final performance in "Manon"

On October 15, 2026, Dorothée Gilbert performed her final stage appearance in Manon by Kenneth McMillan, with Hugo Marchand as Des Grieux. The performance at the Garnier was marked by emotion, big smiles, and 35 minutes of applause from the audience.

Career at Paris Opera Ballet

Gilbert was named a principal dancer on November 19, 2007, after a performance of The Nutcracker by Rudolf Noureev where she played Clara. She spent nineteen years at the Paris Opera Ballet, expanding her repertoire and establishing herself as one of the company's great dramatic interpreters.

Dance style and roles

From her early years as a principal dancer in Suite en blanc by Serge Lifar and The Nutcracker, Gilbert established herself with the clarity and confidence of her dance. She became known for her ability to perform the demanding style of Noureev, which included precarious balances and small, intricate movements.

Dramatic evolution

In 2010, her performance as Gamzatti in La Bayadère was described as "absolutely dazzling," combining technical brilliance with expressive pantomime. In 2015, she took on Nikiya and surprised audiences with her portrayal of vulnerability, adding depth to her dramatic roles over the years.

Versatile repertoire

Gilbert demonstrated her range beyond tragic roles by performing Coppélia as Swanilda, showing her comedic side. She also embraced modern choreography by Wayne McGregor and Jiří Kylián, maintaining her recognizable clarity and artistry throughout different styles.

Maturity in dramatic roles

In Giselle, Gilbert's performance was praised for its fusion of dance and acting. Her portrayal of Marguerite Gautier in La Dame aux Camélias in 2026 marked the culmination of her dramatic maturity, showing her ability to transition from a charming ingénue to a deeply tragic figure.

Legacy in "Manon"

Her farewell performance in Manon was fitting, as she had first performed the role in 2008. The performance highlighted her elegance and simplicity, with moments of tenderness and passion that resonated deeply with the audience. The final pas de deux with Hugo Marchand was particularly poignant, marking the end of her career at the Paris Opera.