Iranian director Ali Asgari is determined to avoid the familiar narratives of hope and optimism that often accompany stories about the future. "In Iran, we don't have high hopes for the future anymore," he says. "We've been waiting for good news for so many years, and it never came." Asgari's perspective reflects a broader sentiment among many Iranians, who have grown weary of promises that have not materialized into tangible change. Asgari's comments come from his experience in the Iranian film industry, which has long been a mirror to the country's social and political landscape. His films often explore themes of disillusionment and resilience, capturing the mood of a population that has seen numerous political shifts and economic challenges. Despite the lack of optimism, Asgari remains focused on the small, hopeful moments that can be found in everyday life. He emphasizes that while large-scale change may seem distant, there are still "small specks of light" that offer hope and inspiration. These could be as simple as acts of kindness, personal achievements, or moments of joy that persist despite the broader challenges. Asgari believes that these small victories are essential in maintaining a sense of purpose and community in difficult times. Asgari's approach to storytelling is both personal and political, aiming to reflect the complexities of Iranian society without oversimplifying its struggles. His work resonates with audiences who are looking for authenticity in a media landscape often dominated by either overly optimistic or overly critical narratives. By focusing on the nuances of everyday life, Asgari seeks to offer a more balanced and human perspective on the Iranian experience.