New recording highlights 18th-century opera
A new recording of André-Ernest-Modeste Grétry's L’Amant jaloux, or les Fausses Apparences, has brought renewed attention to the 18th-century French composer's work, both nationally and internationally. The opera-comique, based on Susanna Centlivre's The Wonder: A Woman Keeps a Secret, features a libretto by Thomas d'Hèle that blends misunderstandings, love strategies, and themes of jealousy, drawing comparisons to The Marriage of Figaro.Opera's historical significance noted
The work was once considered a masterpiece of the genre, as noted in Grétry's Memoirs, where he frequently references it. The recording, conducted by Mathieu Lussier with the Arion Baroque Orchestra, features a vocal cast well-versed in the repertoire.Vocal performances praised
Magali Simard-Galdès performs Léonore with clarity and conviction, delivering the opera's most famous aria, "Je romps la chaîne qui m'engage." Hélène Guilmette as Isabelle and Guylain Girard as Jacinte contribute to a strong female trio, with Guilmette's soprano noted for its sensitivity and grace.Male roles stand out
Pierre Derhet as Don Alonze embodies the jealous lover with precision, while Artavazd Sargsyan as Florival offers a rival with elegant expressions of love. Matthieu Lécroart brings authority to the role of Lopez, the patriarch.Musical elements reflect influences
The recording includes musical elements such as the mandolin in Florival's serenade, "Tandis que tout sommeille," and the minuet rhythm in "La gloire vous appelle," reflecting French and Spanish influences. While some may find the alternation between spoken and sung text typical of the genre somewhat outdated, the recording is likened to audiobooks of the past, offering a nostalgic listening experience.Balance and clarity praised
The balance between vocal and instrumental elements is praised, with attention given to the clarity of the voices and the orchestra's dynamic participation.
