A new production of Jean Genet's play Les Bonnes has been staged by Catalan director Carme Portaceli, offering a modern take on the original story. The play, which centers on three women, has been faithfully adapted from Genet's original text, with the actresses of the Comédie-Française delivering powerful performances. The production's set design breaks from the original 1947 version, which featured a frilly chamber designed by Christian Bérard. Instead, the new set presents a chic bathroom from the year 2026, reflecting a futuristic and minimalist aesthetic. Portaceli's interpretation introduces contemporary elements, including the rhythmic violence of rap music, to highlight the feminist themes of the play. The three heroines—Madame (Anna Cervinka), Solange (Elissa Alloula), and Claire (Édith Proust)—are portrayed as sisters despite the circumstances that should divide them, emphasizing the complex relationships and emotional tensions within the narrative. The production delves into themes of appearance, simulation, and deception, which are central to Genet's work. By incorporating modern musical and visual elements, the staging provides a fresh perspective on the original play, making it more accessible and relevant to contemporary audiences. The use of rap music not only adds a dynamic layer to the performance but also underscores the struggles and resilience of the female characters. This new staging of Les Bonnes showcases how classic works can be reinterpreted to reflect current social issues and artistic sensibilities. It demonstrates the enduring relevance of Genet's writing while offering a unique experience through Portaceli's innovative direction and the Comédie-Française's skilled performances.