French comic creator Run discusses how various influences from Franco-Belgian comics, Japanese animations, and North American titles have shaped his work. Growing up, he was exposed to classic Franco-Belgian comics like The Smurfs, Achille Talon, and The Blue Jackets, as well as North American comics such as Strange and Spider-Man, and Japanese animations like Goldorak, Candy, Akira, and Dragon Ball. These diverse sources naturally contributed to the crossbred style he now employs in his comics. He acknowledges the impact of artists like Franquin, whose inking techniques influenced his own, and creators Tome and Janry, whose work on Spirou left a mark. Additionally, the character Angelino in his series Mutafukaz draws heavily from the design of The Smurfs. Run also points to the dynamic between Chesterfield and Blutch as an influence on his dialogue writing. Run argues that Franco-Belgian comics have always been part of a broader cultural foundation that has evolved by incorporating external influences, including American comic strips. He challenges the notion of strict artistic borders, suggesting that Franco-Belgian comics should not be confined to the "clear line" style or the "big nose" school, nor should they be reduced to iconic series like Tintin, Asterix, or Spirou. He emphasizes that the author's perspective on a subject is more crucial than the setting of the story. He also notes that Lucky Luke, despite being set in the American West, remains an integral part of the Franco-Belgian comics tradition. Run explains that the identity of his comic series Label 619 comes from embracing a mix of influences, including comics, manga, cinema, and video games, and reinterpreting them in a unique way. He believes that the ability to absorb external influences and use them to create something new is a deeply French characteristic. This approach allows him to blend different artistic traditions into a cohesive and original style. His work reflects a broader trend in French comics, where the fusion of global influences has become a defining feature of contemporary storytelling. Run's perspective highlights the evolving nature of Franco-Belgian comics, which continue to grow by integrating diverse cultural elements. He sees this openness as a strength, allowing for greater creativity and innovation. By rejecting rigid definitions of what Franco-Belgian comics should be, he encourages a more inclusive and dynamic understanding of the medium. His work, along with that of other contemporary creators, demonstrates how the genre is adapting to a globalized world while maintaining its unique identity.