Three years after his Second Tour, French comedian and filmmaker Albert Dupontel is back with a new black comedy titled Il faut brûler maman (We Must Burn Mother). The film’s trailer has just been released, offering a glimpse into the darkly humorous world Dupontel is known for. Distributed by Pathé, the movie stars Dupontel alongside Louise Coldefy, Julia Piaton, and Artus, who are all new to Dupontel’s filmography. The film marks Dupontel’s ninth feature and is set within a family of undertakers, where two sisters and a brother reunite for their mother’s funeral. However, due to a staff strike, they must handle the funeral themselves, leading to a series of awkward and comedic situations as they grapple with the task of burning their mother. The storyline, which promises a mix of dark humor and family drama, aligns with Dupontel’s previous work, which often explores absurd and satirical themes. The first images from the film suggest a grating, satirical tone similar to his earlier projects. Il faut brûler maman is set for release in cinemas on November 11, 2026. This date is significant for Dupontel, as all of his films since 2009 have been released in the autumn, a pattern that has worked well for his career. Louise Coldefy, who gained recognition through the series Family Business, is set to appear in the drama Rédemptions directed by Luc Picard and in L’Adoption by Ivan Calbérac. Julia Piaton, meanwhile, will take on the lead role in Le Trésor, the new film by Vincent Mariette. Artus, who is also making his debut in Dupontel’s film, will continue with other projects, including 7h40 ce matin-là by Nicole Garcia, Il était une fois by Clovis Cornillac, 43 by Guillaume Renusson, and Plantez un saule by Anne Le Ny. These roles highlight the diverse range of opportunities available to emerging actors in French cinema. Dupontel, a multiple César Award winner, has previously been honored for his work on films like Adieu les cons, Au Revoir Là-haut, and 9 mois ferme. His involvement in both writing and directing Il faut brûler maman suggests a continuation of his signature style, blending sharp wit with social commentary. With its release date approaching, anticipation is growing for what promises to be another memorable addition to Dupontel’s filmography.