The artists La Rvfleuze, Nono La Grinta, Tiakola, Gazo, Sokol, and Eliyel are featured on several of the latest hits in French rap. Over the past few years, the duo of beatmakers, Sokol and Eliyel, have built a strong presence in the French music scene, supported by a melancholic and refined musical style. These two young men have risen quickly from obscurity. Beyond their sound, they are known for their versatility, taking charge of entire projects, such as Numéro d’écrou and The Cat. They met in high school around 2012-2013 and were initially just friends. Their interest in music began around 2019, just before the pandemic, when they realized they both loved making music and sounds. They decided to work together naturally, even without explicitly stating they were a duo. They studied subjects unrelated to music and started meeting people in the industry by producing tracks and working with local artists. In their early days, they faced financial difficulties. The beatmaking profession doesn’t always provide a steady income. To compensate, they trained as sound engineers. Sokol found a job in a studio, which helped stabilize their situation. They learned the different aspects of the profession through practice, as formal education was too expensive. A typical day for Sokol and Eliyel during the creative process is unpredictable. They might work for two weeks without a break, then have no days off for three weeks. They adapt to the artists' needs and their own inspiration. They are lucky to work with whoever they want, creating at home and in the studio, where they have their own space, Le Pacte, which handles composition, recording, mixing, and artistic direction. They chose to bring all stages together to have control over the entire process and offer a coherent vision on the projects they participate in. Sokol feels things well, and Eliyel can trust him completely in the choices and artistic direction. Sokol is creative with a clear vision and good instinct, while Eliyel is ultra-hardworking, attentive to details, and more technically skilled. They have never had a serious disagreement, though they may have different opinions, which they quickly resolve due to their complementary nature. Their musical style is dark, emotional, and refined, offering simple tracks that are convincing. They found the tag "Mom what’s my destiny?" by chance, selecting a phrase from the movie Forrest Gump with Tom Hanks. It has taken off significantly, with their work moving from one certification to fifty in a year. The track "I’m Sorry" with La Mano 1.9 was a turning point. Their relationship with La Rvfleuze began when he was coming out of prison. A friend of theirs, Rayan Beats, contacted them, and everything followed naturally. They worked on "PIB" from the first session, which clicked artistically and personally. For Numéro D’écrou, they aimed to create an album around the prison universe, working with La Rvfleuze's independent label, La Triade. They produced it with a small committee of 7-8 beatmakers to maintain coherence, pushing the sound to the limit, which paid off. They also worked on "Argent Sale" with Yuo, where La Rvfleuze wrote part of his text in prison and reconstructed it from memory the next day. They had uncertainties about which tracks would take off, with "Parlu" and "Machiavel" being favorites. Their collaboration with Nono La Grinta began when they were sound engineers, later becoming his dedicated engineers and offering production during his change of DA with the project Restart. They worked closely with Nono to build his new sound, and tracks like "Love You" and "Paris" were created with old-fashioned sounds and a focus on Nono's performance. They ensured the artistic direction of The Cat, supporting Nono's visual and artistic universe. They also worked on the hit "Un monde à l’autre" with Gims on the GP EXPLORER project, creating the track in 10-15 minutes after being inspired by the project's direction. Certifications represent professional and artistic validation for them, affirming their relevance in the industry. They maintain that the album format in French rap is declining due to many people polluting the environment of an artist with unqualified opinions and conflicts of interest. They dream of succeeding in artist production through their label Le Pacte, signing their first rapper, KTG, and exploring new territories like the United States. They would like to work with Booba, Gazo, Hamza, Travis Scott, and Drake. They are preparing a multi-artist album to be released in early 2027, emphasizing their musical imprint without concessions.