A new adaptation of Henry James’s famous ghost story, The Turn of the Screw, has opened at London’s Arcola Theatre. The production, adapted by Morgan Lloyd Malcolm, adds a new layer to the original story by introducing an unnamed man who interrogates the governess’s account of events. This framing device raises questions about her reliability as a narrator, adding a psychological twist to the classic tale. The play blends traditional elements of horror with modern theatrical techniques, including jump scares and stylized visuals. Directed by Nicky Allpress, the production uses sound design by Hattie North to heighten tension and create an eerie atmosphere. The set, designed by Matthew Cassar, features screens that contribute to a gothic aesthetic, with characters emerging suddenly from darkness. This visual approach enhances the sense of mystery and unease that permeates the story. The two children, Flora and Miles, are portrayed by Kathleen McAuley Irvine and Toby Beynon, respectively. While they appear angelic, their performances include subtle hints of sinister awareness, drawing them closer to the adult figures they are believed to be possessed by—Quint, the dead manservant, and Miss Jessel, the former governess. This visual and thematic connection between the children and the adult ghosts adds complexity to the narrative. A standout moment in the play is a scene set in a lake, where the governess finds herself submerged. This sequence includes intense sounds, screams, and sudden appearances and disappearances of characters, contributing to the overall tension. The play concludes with a twist that loops back to the beginning, offering partial insight into the framing device and the psychological themes of fear, desire, and moral corruption. However, some critics note that the production’s cleverness may overshadow its core narrative, with its elliptical storytelling potentially confusing or distracting the audience. The play will run through 10 October.