Playwright Ava Pickett’s latest play, set in a post-civil war version of England, blends ancient myth with modern social issues. The story follows Helen of Troy, the legendary figure from Greek mythology, as she returns to a small English town resembling the idyllic, but often satirical, village of Towie, known for its quirky reality TV show. Helen has left her husband, Marcus, for a "foreigner," sparking a wave of anger and violence among men who riot and attack in her name. The setting includes a living room with cream carpets and glass coffee tables, belonging to Cee, Helen’s best friend and the wife of Marcus’s older brother, Mario. The play explores the aftermath of Helen’s choices in a society that has spiraled into chaos. The production features a Messenger character, clad in Adidas sportswear, who serves as a chorus, offering commentary on the state of the new England. This Messenger delivers poetic monologues that introduce a pantheon of external forces—dressed as gods—highlighting the influence of larger societal pressures on individual lives. The play’s tone is tense and darkly humorous, with elements reminiscent of the work of playwright Martin McDonagh. The setting is further heightened by a stark, symbolic tree that reaches out like a malevolent hand, and a guard appears with an automatic weapon, underscoring the violence and tension that permeates the narrative. The play focuses on how women respond to toxic masculinity and insidious racism, rather than on the masculinity and racism themselves. Michelle Dockery portrays Helen, who transitions through various emotional states—from a victim to a rebel to a mother confronting the daughter she abandoned. Maimuna Memon’s character, Dani, receives applause from parts of the audience for her powerful performance that critiques Cee’s complicity in the events unfolding around her. The play draws on familiar mythological references and may remind viewers of Christopher Nolan’s The Odyssey, though it ultimately leaves questions about free will and fate unanswered. Directed by Lisa Spirling, the new artistic director of Stratford East, the production is enhanced by Nicola T Chang’s score and sound design, which balance both humor and drama. The play is currently running at Theatre Royal Stratford East in London and will continue until 10 October. With its blend of myth, modern politics, and sharp social commentary, Pickett’s work offers a provocative and unsettling reflection on contemporary issues.