At 18, Charlotte Edmonds was recognized as a rising talent in the world of dance, earning a unique role as the Royal Ballet's "young choreographer." This opportunity allowed her to spend three years at one of the world's most prestigious dance institutions, where she developed her skills extensively. A decade later, Edmonds reflects on a career that has taken a non-traditional path. Rather than focusing solely on choreographing for major ballet companies, she has worked with various European ballet ensembles while also expanding into other creative fields, including film, music videos, and advertising for brands like Budweiser and Nike. She has also been an advocate for artists with dyslexia and created a video series called Cameo, where she interviews female and non-binary choreographers to highlight their voices and address the lack of representation in the field. Edmonds acknowledges the practical challenges of building a career in choreography, which have become more pronounced in recent years. Factors such as the impact of the COVID-19 pandemic, funding cuts, and rising living costs have made it harder to secure support for creative projects. She has engaged in discussions with Arts Council England, noting that certain projects that would have been funded in the past are now deemed too costly or risky due to limited resources. Many small grant programs have also closed for the year, prompting a reevaluation of how funding is structured and allocated in the arts sector. Despite these obstacles, Edmonds remains passionate about her work, emphasizing the deep satisfaction of pursuing one's creative interests. However, she also recognizes the difficulty of sustaining a living while maintaining artistic integrity. Many in the dance world have had to diversify their careers, with some taking on roles such as intimacy coordinators. Edmonds has worked as a movement director for singers, including assisting Lola Young during a television appearance, where her responsibilities included managing the set and cameras, as well as supporting the performer. The rise of digital platforms has brought a new wave of interest in dance, with brands creating artistic short films and old songs gaining new life through viral dance challenges. Edmonds has embraced this shift, experimenting with digital art, including a collaboration with artist Brendan Dawes for Sotheby's during the NFT boom in 2021. She describes the process of creating NFTs as both intriguing and potentially transformative for choreography, opening up new creative avenues. At 29, Edmonds is now more seriously considering how to ensure her financial stability while continuing her work in dance. She acknowledges the social pressures of maintaining a career in the arts while also planning for personal stability and family. While many in the field choose to leave the profession, she sees it as a personal decision rather than a failure. Her passion for choreography, which she first felt as a teenager, remains as strong as ever. Currently, Edmonds is rehearsing a group of students at the London Contemporary Dance School for her new film, Ladette, which explores gender roles from the 1990s. The film features 43 dancers moving in a powerful, rhythmic sequence that shifts between sharp and fluid movements. Her training in classical and contemporary dance is now infused with influences from street and club styles. Despite the challenges, Edmonds continues to dream of creating major works for large ballet companies in the UK, planning and curating projects that reflect her personal vision and artistic goals.