Religious video games, created to promote Christian beliefs, are now accessible on modern platforms and older consoles. However, many of these games face challenges such as limited funding, basic graphics, and gameplay that doesn't match the standards of mainstream video games. Priest Bertrand Monnier, who wrote Les Dix commandements du jeu vidéo, argues that when religious themes dominate game design, the result is often "mediocre." With the recent visit of Pope Leo XIV to Paris, some followers are rethinking how to stay connected to their faith, and a few are exploring video games as a tool. Games like I Am Jesus Christ, Captain Bible in Dome of Darkness, and Church Simulator have appeared, but their effectiveness in sharing religious messages and overall quality remain debated. These games mix educational content about Christian teachings with more familiar game genres. For example, Captain Bible in Dome of Darkness, developed in 1994 by Bridgestone Multimedia Group, lets players take on the role of a superhero from Bible Corp, tasked with fighting robots that spread non-Christian ideas using verses from the Bible. More recently, I Am Jesus Christ allows players to experience and reenact the miracles of Jesus, such as turning water into wine and walking on water, while also including actions like shooting fireballs and becoming invisible. Despite these features, the games are often criticized for their outdated visuals and gameplay. In Church Simulator, players are warned not to examine too closely the babies they baptize, as the visuals may be disturbing. According to Bertrand Monnier, there are no official church writings on video games. He highlights the difference between games that are religious in nature and those that use religious elements without the goal of converting others. He notes that the Church has not made an official statement on the topic and that his views are those of a theologian and gaming expert, not the Vatican. Monnier argues that when religious content is prioritized over artistic quality, it can lead to attempts at conversion and result in "extremely mediocre" games. He suggests that each game should be assessed on its own merits, as there are many ways to represent religion, and the intent behind the work is important. Monnier favors games that focus on quality over religious messaging, such as HeartStone by Blizzard or Age of Empire. He believes that video games can be a meaningful medium, but only if they are crafted with care and balance. His perspective offers a nuanced view on the intersection of faith and entertainment in the gaming world.